After almost three decades of absence from its stage and closing its opera season, one of the great masterpieces created by Wagner is back at the Teatro Colón in Buenos Aires: the “sacred festival” Parsifal, in a new staging that marks the return of the Argentine régisseur Marcelo Lombardero (in
They are always among the most beloved and popular works of the Italian repertoire, and it is undoubtedly the most famous "double program" in the history of opera. In July we highlight its programming at the Teatro Colón in Buenos Aires, and now it is the turn of the Municipal
In spite of the enormous musical and technical difficulties demanded by their assemblies, the works of the German author are always present in one of the annual programs of our region. While in Buenos Aires the operatic public looks forward to the new production of Parsifal that in December will
Chilean tenor José Azócar, who in the last year has already played the Moor of Venice at the Municipal de Santiago and the Argentino de La Plata, stars again Otello, this time at the Teatro El Círculo de Rosario, where the Verdiana masterpiece returns after 11 years of absence. With
This year it had its South American debut, inaugurating in May the lyric season of the Municipal Theater of Santiago, and these days the beautiful opera Rusalka, by Dvorak, is being presented as an Argentine premiere, as the last title of the 2015 Buenos Aires season Lyric, in the Theater
Released in May 2015, original production of the Colón Theater in Buenos Aires (Argentina); It was presented again in August 2015, this time at the Solís Theater in Montevideo (Uruguay) . Stage direction: Sergio Renán (Replacement in Montevideo: Florencia Sanguinetti) Set design: Emilio Basaldúa Costumes: Gino Bogani Lighting: Sebastián Marrero
With six functions from Sunday 20, after 11 years of absence, this great opera by Verdi returns to the main Argentine lyric stage, in a version that will feature the musical direction of maestro Ira Levin and the stage direction and stage designs and costumes of the award-winning and prestigious
Its presence is common in the repertoires of all the theaters in the world, and in our region it is also frequent that titles of the great Wolfgang Amadeus Mozart are programmed. Thus, as far as 2015 goes, the weddings of Figaro were already presented in the Juventus Lyrica season
23 years after its premiere in Chile and in co-production with the Capitole de Toulouse, this entertaining Rossini comedy is back on the Santiago stage, in a staging of the prestigious Regisseur Emilio Sagi that has a spectacular and realistic set designed by Daniel Bianco, which reproduces with multiple details
After La Traviata and Carmen, the lyric season of the Teatro Argentino de La Plata continues with one of the most praised and moving operas of the universal repertoire. Otello, Verdi's masterpiece, with a remarkable libretto by Arrigo Boito based on the classic Shakespearean tragedy, is back on the Argentine
