Chilean tenor José Azócar, who in the last year has already played the Moor of Venice at the Municipal de Santiago and the Argentino de La Plata, stars again Otello, this time at the Teatro El Círculo de Rosario, where the Verdiana masterpiece returns after 11 years of absence. With
This year it had its South American debut, inaugurating in May the lyric season of the Municipal Theater of Santiago, and these days the beautiful opera Rusalka, by Dvorak, is being presented as an Argentine premiere, as the last title of the 2015 Buenos Aires season Lyric, in the Theater
An attractive lyric season 2016 is the one announced on Monday, September 28, the Municipal Theater of Santiago, occasion in which the ballet titles and the works of the concert repertoire that next year will offer the main opera stage were also announced in Chile. The news - which included
Released in May 2015, original production of the Colón Theater in Buenos Aires (Argentina); It was presented again in August 2015, this time at the Solís Theater in Montevideo (Uruguay) . Stage direction: Sergio Renán (Replacement in Montevideo: Florencia Sanguinetti) Set design: Emilio Basaldúa Costumes: Gino Bogani Lighting: Sebastián Marrero
With six functions from Sunday 20, after 11 years of absence, this great opera by Verdi returns to the main Argentine lyric stage, in a version that will feature the musical direction of maestro Ira Levin and the stage direction and stage designs and costumes of the award-winning and prestigious
Its presence is common in the repertoires of all the theaters in the world, and in our region it is also frequent that titles of the great Wolfgang Amadeus Mozart are programmed. Thus, as far as 2015 goes, the weddings of Figaro were already presented in the Juventus Lyrica season
23 years after its premiere in Chile and in co-production with the Capitole de Toulouse, this entertaining Rossini comedy is back on the Santiago stage, in a staging of the prestigious Regisseur Emilio Sagi that has a spectacular and realistic set designed by Daniel Bianco, which reproduces with multiple details
After La Traviata and Carmen, the lyric season of the Teatro Argentino de La Plata continues with one of the most praised and moving operas of the universal repertoire. Otello, Verdi's masterpiece, with a remarkable libretto by Arrigo Boito based on the classic Shakespearean tragedy, is back on the Argentine
The VI Latin American Opera Meeting, held on Thursday, July 23 and Friday, July 24 in Santiago, Chile, brought together representatives of theaters and institutions from Argentina, Brazil, Chile, Colombia, Ecuador, Mexico, Peru and Uruguay, and together with confirming the Strengthening as an institution and the ties of collaboration and
Es uno de los nombres más ilustres y queridos por el público entre los compositores que han brillado en la ópera francesa, y ahora en una atractiva coincidencia, durante los últimos días de julio Jules Massenet se hace presente por partida triple en Latinoamérica, con dos de sus partituras más
