(ES) En una nueva columna para la revista Ópera Actual, Carmen Gloria Larenas, presidenta de Ópera Latinoamérica, reflexiona sobre el espacio de encuentro que significa la Conferencia Anual de OLA, la cooperación cultural entre América Latina y España y los nuevos desafíos que se presentan de manera global, como la
(ES) En una nueva columna para la revista Ópera Actual, Alejandra Martí, directora ejecutiva de Ópera Latinoamérica, reflexiona sobre la trascendencia del artista y su rol en la sociedad, poniendo el foco en el caso de Juan Diego Flórez y la organización Sinfonía por el Perú.
(ES) En esta nueva columna para la revista Ópera Actual, Alejandra Martí, directora ejecutiva de Ópera Latinoamérica, relata las principales reflexiones y conclusiones de la 17ª Conferencia Anual de Ópera Latinoamérica, enfocada en teatros y desarrollo sostenible.
(ES) Los concursos de canto lírico son importantes vehículos para las carreras artísticas.
What are we doing in Chile and Latin America to align with these global sustainability strategies in theaters? Actions such as those being promoted by Europe will in the coming years be compulsory and unavoidable topics for any organization and that even influence the financing they receive. By Alejandra Martí, Executive
The Opera Latin America theaters association (OLA) together with eight Chilean theaters promoted a study of digital audiences in Latin America during the pandemic that sought to determine habits and project future trends in a hybrid scenario. The inquiry provides guidelines for management and programming based on the responses of
To celebrate World Book Day, we conducted a search for Latin American operas based on works of fiction, novels, literary classics, among other books. We recommend this literary selection from Ecuador, Mexico, Brazil, Chile, Argentina and Peru that showcases the work of Latin American composers and writers. ECUADOR Cumandá or a drama
By Victoria Roldán, General Director of Lyric Soul Music Productions and Lyric Soul Foundation . It is a fact that opera throughout Latin America is growing by leaps and bounds. It was unthinkable 1 decade ago, that there could be so many independent companies or even, this type of proposal, the most