(Español) Los Premios Ópera XXI premiaron lo mejor de los escenarios españoles en la temporada 2020/2021.
(Español) La historia del Teatro Solís se cuenta en diferentes etapas. En sus 162 años de historia, este teatro, el más antiguo de Latinoamérica, ha sido atravesado por conflictos sociales, adaptaciones en su arquitectura y convergencias entre diferentes estéticas y disciplinas artísticas en su programación.
The history of the Palacio de Bellas Artes de México has a unique dynamic, intertwined by two fundamental periods in the country's history: the Porfirio Díaz regime and the Mexican Revolution. Its construction is also marked by the development and beautification of Mexico City, in
Built between 1885 and 1895, this colosseum has been named one of the most amazing cultural buildings for its imposing architecture and ornamentation. It is located in the heart of the Candelaria neighborhood in the Colombian capital, steps away from other wonderful heritage buildings such
Latin American venues such as the Roberto Plasencia Saldaña Bicentennial Theater and the Palace of Fine Arts (Mexico), Sodre Auditorium (Uruguay), Julio Mario Santo Domingo Theater and Colón Theater in Bogotá (Colombia), Gran Teatro Nacional (Peru), Teatro Amazonas (Brazil), Teatro del Lago (Chile) and Teatro
We continue with our new section "Theater of the Month", in which we highlight the history and architectural value of the theaters that make up our network. In this edition, we present the Municipal Theater of São Paulo. Founded on September 12, 1911, the São Paulo
The instance will be carried out virtually between June 29 and July 2. In addition to a meeting between the theaters associated with the OLA network (June 29), the meeting will also discuss issues of the lyrical and theatrical scene in a Technical Forum (July
June is here and we start half the year with the new section "Theater of the Month". Here we seek to publicize the history, architectural heritage, anecdotes and some curious information about the different theaters that make up the OLA network. In the first installment of
Thirty three are the member theaters of Ópera Latinoamérica (OLA) and in 2021, thirteen of them are led by women. "Although there have always been women in executive positions in theatres, in the last two years many women who have developed a successful management career
A successful Ibero-American Meeting between OLA & Ópera XXI Theatres resulted in nine days of talks, which included technical and marketing forums During the OLA Assembly, Carmen Gloria Larenas, director of Teatro Municipal de Santiago was appointed to join the board of Directos of OLA. It
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