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  • Red OLA
    • What is OLA
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  • Explore Ibero America
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(ES) Bajo la Lupa: Islandia en cuarentena

20 April, 2020

Sorry, this entry is only available in European Spanish.

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Hablemos de ópera: Discover Gerardo Kleinburg’s online talks 

8 April, 2020

Hablemos de ópera is an operatic outreach project of  mexican Gerardo Kleinburg, former Director of the Cervantino Festival and former Director of the National Opera Company, producer and specialized opera critic. The program will be broadcast live weekly and will be shared on OLA social networks from Mexico City.     Committed to digital

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(ES) Bajo la Lupa: Entrevista a Thomas de Mallet Burgess, Director de New Zealand Opera 

2 March, 2020

Sorry, this entry is only available in European Spanish.

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Flavia Furtado: “The options after the end of pandemic are working with Brazilian artists, small productions and the new creation”

12 February, 2020

Festival Amazonas de Ópera (FAO) will take place between April 18 and June 7, 2020, in Manaus. Together with the traditional development of the Festival, the 2nd version of the Meeting of Opera Houses and Creative Economy will be held in Latin America.      We talked with Flavia Furtado, Festival Director who

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Opera Garage: From lyrical coliseums to industrial buildings

18 December, 2019

Chatted with Macarena Bergareche and Emiliano Suarez, creators of the Opera Garage initiative, which debuted last year with great success La Boheme at the warehouse of the Palo Alto Area of Barcelona. This year the bet is Donizetti's classic, Lucia di Lammermoor in Jorge Juan, 137, an old carpentry converted

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Alberto Pérez-Amador: “Currently, the greatest operatic creation movement in Latin American history is being lived”

25 October, 2019

  Interview with the Doctor and philologist Alberto Pérez-Amador Adam   About Alberto Pérez-Amador Adam He studied at the National Autonomous University of Mexico (UNAM) and a PhD from the Humboldt Universität zu Berlin, he has been recognized as one of the most important researchers in the work of Sister Juana Inés de la

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Gonzalo Cuadra: “Talking about the opera’s reception is essential to understand the idiosyncrasy and idea of ​​modernity”

25 October, 2019

Interview with chilean tenor Gonzalo Cuadra   Graduated with maximum distinction from the Faculty of Arts of the University of Chile in the careers of Bachelor of Arts Mention in Music and Higher Interpretation in Music mention singing.  As a soloist he has participated in seasons of the Municipal de Santiago, National Auditorium

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José Manuel Izquierdo: “America was the first big market outside Europe for music”

25 October, 2019

Interview with musicologist and academic José Manuel Izquierdo   Musicologist and academic at the Institute of Music of the Pontifical University Catholic of Chile, and Master of Arts mention in musicology from the University of Chile. Among his numerous books stands out A History of Music in Valdivia and The Orchestra in

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Aníbal Cetrangolo: “The opera for us is a spy, a signal to study the contact of cultures”

25 October, 2019

Interview with the Doctor in Musicology Aníbal Enrique Cetrangolo   About Aníbal Enrique Cetrangolo Doctor in Musicology from the University of Valladolid with thesis Opera and identity in the migration meeting. The Italian melodrama in Argentina between 1880 and 1920.  Since 1974 it has been dedicated to the research and dissemination of the American

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Lucio Bruno-Videla: “It is time for Latin America to export its own creative production”

25 October, 2019

Interview with the composer, director and researcher Lucio Bruno-Videla   Lucio Bruno-Videla, outstanding violinist and conductor; He has worked in the dissemination of Argentine academic music since 1989. As founder and curator of the Drangosch Group (National University Institute of Art) he has been dedicated to the dissemination of the academic music

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Material de prensa

Material libre de uso para prensa, mientras sea para hablar de Ópera Latinoamérica.


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