(Español) Columna de Alejandra Martí, directora ejecutiva de Ópera Latinoamérica.
(Español) Columna de Alejandra Martí, directora ejecutiva de Ópera Latinoamérica.
(Español) “Sean valientes, exploren, déjense llevar por la curiosidad y por el compromiso con hacer buena música”, dice Alondra de la Parra sobre la programación de repertorio latinoamericano en esta entrevista exclusiva para Ópera Latinoamérica.
(Español) Los concursos de canto lírico son importantes vehículos para las carreras artísticas.
(Español) En esta entrevista exclusiva para Ópera Latinoamérica, el compositor chileno Sebastián Errázuriz ahonda en su historia y el rumbo de la ópera en un mundo pospandemia.
What are we doing in Chile and Latin America to align with these global sustainability strategies in theaters? Actions such as those being promoted by Europe will in the coming years be compulsory and unavoidable topics for any organization and that even influence the financing
The Brazilian stage director recently premiered at the 23rd Festival Amazonas de Ópera a new production for the opera Três minutos de sol, by the São Paulo composer Leonardo Martinelli. In this interview, she tells us about her training in the discipline, the transforming power
In this recent interview for the program "The beauty of singing" of the Chilean radio station Radio Beethoven, produced by the Ibáñez Atkinson Foundation and hosted by Andrés Rodríguez Spoerer, our executive director, Alejandra Martí, talked about the origins of Ópera Latinoamérica, the benefits of
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Interview with musicologist and academic José Manuel Izquierdo Musicologist and academic at the Institute of Music of the Pontifical University Catholic of Chile, and Master of Arts mention in musicology from the University of Chile. Among his numerous books stands out A History of Music in
Sorry, this entry is only available in European Spanish.