(Español) «La ciudad muerta» se presentará el 21 de mayo en la Sala Principal del Teatro del Bicentenario Roberto Plasencia Saldaña en una versión de concierto.
(Español) Las funciones de la ópera Juana sin cielo se llevarán a cabo los días 22, 24, 26 y 29 de mayo en la Sala Principal del Palacio de Bellas Artes.
(Español) La cita con la artista miembro de la plataforma Escena Digital es el próximo sábado 5 de marzo a las 19:00 horas.
(Español) Con la cantata David Penitente K. 469 de W.A. Mozart, la Ópera de Bellas Artes de México comienza las actividades presenciales para su temporada 2022
Until December 9 are the presentations, within the framework of the 250 years of the birth of the German composer and the 75th anniversary of INBAL. The only opera by Ludwig van Beethoven, Fidelio, will be presented in a stage concert version by the National Opera
The history of the Palacio de Bellas Artes de México has a unique dynamic, intertwined by two fundamental periods in the country's history: the Porfirio Díaz regime and the Mexican Revolution. Its construction is also marked by the development and beautification of Mexico City, in
The role of Don Giovanni will be performed by the talented Mexican baritone Armando Piña and Donna Anna will be performed by the German soprano Sarah Traubel. With the stage direction of the renowned set designer Paco Azorín and with the participation of the Symphonic Orchestra
Four performances will be offered on September 23, 26 and 28, and October 3. The National Opera Company will present, in semi-staged format, a new production of Montezuma, by Carl Heinrich Graun. With this title, the first operatic work since the beginning of the pandemic is
The concert, scheduled for Sunday, September 5 at 5:00 p.m., will feature a program of works by representative Mexican composers of the 19th and 20th centuries under the direction of maestro Iván López Reynoso. Outstanding guest soloists will participate, among them the soprano Enivia Muré,
The Opera workshop: its creation will take place online from July 26 to 30 and is aimed at composers, writers and anyone interested in opera creation. In the theoretical field, the program responds to the absence of a history of opera from the literary point