Opinion – Ópera Latinoamérica

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Opinion

Book Day: Recommendations for books that inspired Latin American operas

Women in theatres: roles and challenges of the sector

Flavia Furtado: “Today’s women in Brazil are filling most of the production positions in theatres”

Gema Nataly Contreras: “It is difficult to free yourself from subtle prejudices”

Melissa Giorgio: “May history be filled with new heroines, combatants and feminine creative leaders”

Pierina Lavanca: “The Youth Orchestra presents us with another image, much closer to 50/50 between men and women”

Anna Patricia Lopes: “I believe that women have always been in theatres invisibility”

Latin American repertoire to live Christmas

(Español) Bajo la Lupa: Ernesto Palacio, Director Festival de Rossini (Pésaro, Italia)

10 questions with Flavia Furtado, executive director of the Festival Amazonas de Opera

Eliane Parreiras: “Women in leadership positions have a lot to contribute to management and leadership innovations”

Paulo Zuben: “We promote reflection on musical language and its role within society”

(Español) Bajo la Lupa: Islandia en cuarentena

Hablemos de ópera: Discover Gerardo Kleinburg’s online talks

(Español) Bajo la Lupa: Entrevista a Thomas de Mallet Burgess, Director de New Zealand Opera

Flavia Furtado: “The options after the end of pandemic are working with Brazilian artists, small productions and the new creation”

Opera Garage: From lyrical coliseums to industrial buildings

Alberto Pérez-Amador: “Currently, the greatest operatic creation movement in Latin American history is being lived”

Gonzalo Cuadra: “Talking about the opera’s reception is essential to understand the idiosyncrasy and idea of modernity”

José Manuel Izquierdo: “America was the first big market outside Europe for music”

Aníbal Cetrangolo: “The opera for us is a spy, a signal to study the contact of cultures”

Lucio Bruno-Videla: “It is time for Latin America to export its own creative production”

(Español) Bajo la Lupa: Entrevista Steinunn Birna Ragnarsdöttir de la Ópera de Islandia

Daniel Araujo: “We have 5 aims: Training, opera, concerts, touring and musical theatre”

Interview with Mario Chang and María José Morales Querido Arte, Opera Company Guatemala

Esteban San Juan: “Cities are known by foot, you have to mix with their people and their artists”

Daniel Bianco: “Contemporary creation is an indispensable ally if we prevent the lyric theatres become museums”

Patricia Alaeddine: “Cali is a city that squanders talent, from here many lyrical singers go out to the world”

Interview with María Cecilia Sánchez and Ramón Barranco of Teatro Sánchez Aguilar

(Español) Bajo la Lupa: Entrevista con Naoki Murata, Director Ejecutivo del Nuevo Teatro Nacional de Japón

Interview with the mexican soprano María Katzarava

Interview with Andrea Puente Catán

(Español) Bajo la Lupa: Entrevista al barítono estadounidense Sherrill Milnes

Interview with Vicente Larrañaga, founder of the Novoflot Opera company

Mathieu Guilhaumon: “Dance is a living art that should give space to new views on the world”

(Español) Bajo la Lupa: Entrevista a Eglise Gutierrez

Hands to the opera: Interview with Beth Krynicki

The Regisseur Route: Interview with André Heller-Lopes

(Español) Bajo la Lupa: La Habanera, Bizet o Yradier

Carmen-Helena Téllez: A silent force in music

RED Ópera Independiente: In opera it is also sown

(Español) Bajo la Lupa: Entrevista a Irena Sylya

Tabita Martínez: Winner of Laguna Mágica International Lyric Singing Contest

Premiere of El Gran Macabro de Ligeti at the Teatro Argentino de La Plata

Der Rosenkavalier in Teatro Colón | Crítica diario La Nación