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Opinion
Sebastián Errázuriz, composer: «I accept opera as a genre that lives in the theater and not in the museum»
13 May 2022
Innovation and originality, qualities of Latin Americans | David Gowland
27 Jan 2022
Francisco Sánchez, stage director: “Everything that we are culturally emerges on stage”
03 Dec 2021
Händel: music, emotions and community | Clemens Birnbaum
04 Nov 2021
Ximena Agurto, soprano: “A person’s voice is the mirror of his/her soul, something that cannot be described with words, only with facts and emotions”
23 Sep 2021
Bajo la lupa: Suat Arikan, General Director of the Istanbul Opera, Turkey: “A great opera can be successfully staged on a low budget and with creative and interesting ideas”
08 Sep 2021
Pedro Sarmiento, composer: “By composing, I seek to give voice and transform realities, break with indifference and prejudices”
13 Aug 2021
Jaquelina Livieri, Argentine soprano: “Art and the mind are the only possibility that the world has today to evolve”
14 Jul 2021
Julianna Santos, stage director: “The great challenge is to understand how we build new relationships and what are the possible dialogues with society and the audience”
23 Jun 2021
Interview with Alejandra Martí, executive director of OLA: “We are in a continent where we have an advantage to do business that Europe does not have”
14 Jun 2021
Latin American digital audiences in pandemic
25 May 2021
René Coronado “I think the formula is to work with honesty, humility and definitely with a huge desire to work for others.”
20 May 2021
Union as a starting point: interview with the producer Flavia Furtado
10 May 2021
Book Day: Recommendations for books that inspired Latin American operas
22 Apr 2021
Women in theatres: roles and challenges of the sector
25 Mar 2021
Flavia Furtado: “Today’s women in Brazil are filling most of the production positions in theatres”
25 Mar 2021
Gema Nataly Contreras: “It is difficult to free yourself from subtle prejudices”
25 Mar 2021
Melissa Giorgio: “May history be filled with new heroines, combatants and feminine creative leaders”
25 Mar 2021
Pierina Lavanca: “The Youth Orchestra presents us with another image, much closer to 50/50 between men and women”
24 Mar 2021
Anna Patricia Lopes: “I believe that women have always been in theatres invisibility”
24 Mar 2021
Latin American repertoire to live Christmas
25 Dec 2020
(Español) Bajo la Lupa: Ernesto Palacio, Director Festival de Rossini (Pésaro, Italia)
29 Nov 2020
10 questions with Flavia Furtado, executive director of the Festival Amazonas de Opera
29 Sep 2020
Eliane Parreiras: “Women in leadership positions have a lot to contribute to management and leadership innovations”
19 May 2020
Paulo Zuben: “We promote reflection on musical language and its role within society”
18 May 2020
(Español) Bajo la Lupa: Islandia en cuarentena
20 Apr 2020
Hablemos de ópera: Discover Gerardo Kleinburg’s online talks
08 Apr 2020
(Español) Bajo la Lupa: Entrevista a Thomas de Mallet Burgess, Director de New Zealand Opera
02 Mar 2020
Flavia Furtado: “The options after the end of pandemic are working with Brazilian artists, small productions and the new creation”
12 Feb 2020
Opera Garage: From lyrical coliseums to industrial buildings
18 Dec 2019
Alberto Pérez-Amador: “Currently, the greatest operatic creation movement in Latin American history is being lived”
25 Oct 2019
Gonzalo Cuadra: “Talking about the opera’s reception is essential to understand the idiosyncrasy and idea of modernity”
25 Oct 2019
José Manuel Izquierdo: “America was the first big market outside Europe for music”
25 Oct 2019
Aníbal Cetrangolo: “The opera for us is a spy, a signal to study the contact of cultures”
25 Oct 2019
Lucio Bruno-Videla: “It is time for Latin America to export its own creative production”
25 Oct 2019
(Español) Bajo la Lupa: Entrevista Steinunn Birna Ragnarsdöttir de la Ópera de Islandia
10 Oct 2019
Daniel Araujo: “We have 5 aims: Training, opera, concerts, touring and musical theatre”
25 Sep 2019
Interview with Mario Chang and María José Morales Querido Arte, Opera Company Guatemala
25 Sep 2019
Esteban San Juan: “Cities are known by foot, you have to mix with their people and their artists”
25 Sep 2019
Daniel Bianco: “Contemporary creation is an indispensable ally if we prevent the lyric theatres become museums”
25 Sep 2019
Patricia Alaeddine: “Cali is a city that squanders talent, from here many lyrical singers go out to the world”
25 Sep 2019
Interview with María Cecilia Sánchez and Ramón Barranco of Teatro Sánchez Aguilar
24 Sep 2019
(Español) Bajo la Lupa: Entrevista con Naoki Murata, Director Ejecutivo del Nuevo Teatro Nacional de Japón
09 Sep 2019
Interview with the mexican soprano María Katzarava
17 Jun 2019
Interview with Andrea Puente Catán
24 May 2019
(Español) Bajo la Lupa: Entrevista al barítono estadounidense Sherrill Milnes
03 May 2019
Interview with Vicente Larrañaga, founder of the Novoflot Opera company
02 Apr 2019
Mathieu Guilhaumon: “Dance is a living art that should give space to new views on the world”
07 Mar 2019
(Español) Bajo la Lupa: Entrevista a Eglise Gutierrez
26 Nov 2018
Hands to the opera: Interview with Beth Krynicki
13 Sep 2018
The Regisseur Route: Interview with André Heller-Lopes
29 Jun 2018
(Español) Bajo la Lupa: La Habanera, Bizet o Yradier
18 Jun 2018
Carmen-Helena Téllez: A silent force in music
01 Jun 2018
RED Ópera Independiente: In opera it is also sown
22 Feb 2018
(Español) Bajo la Lupa: Entrevista a Irena Sylya
22 Feb 2018
Tabita Martínez: Winner of Laguna Mágica International Lyric Singing Contest
02 Feb 2018
Premiere of El Gran Macabro de Ligeti at the Teatro Argentino de La Plata
21 Jul 2017
Der Rosenkavalier in Teatro Colón | Crítica diario La Nación
21 Jul 2017