Opinion - Ópera Latinoamérica

BREAKING NEWS

Teatro del Bicentenario Roberto Plasencia Saldaña presents its first Online Opera Festival
Opera Europa’s online spring conference
Teatro Mayor Julio Mario Santo Domingo celebrating ten years collecting the best of the performing arts in Colombia and the world

Opinion

Eliane Parreiras: “Women in leadership positions have a lot to contribute to management and leadership innovations”

Paulo Zuben: “We promote reflection on musical language and its role within society”

(Español) Bajo la Lupa: Islandia en cuarentena

Hablemos de ópera: Discover Gerardo Kleinburg’s online talks

(Español) Bajo la Lupa: Entrevista a Thomas de Mallet Burgess, Director de New Zealand Opera

Flavia Furtado: “The options after the end of pandemic are working with Brazilian artists, small productions and the new creation”

Opera Garage: From lyrical coliseums to industrial buildings

Alberto Pérez-Amador: “Currently, the greatest operatic creation movement in Latin American history is being lived”

Gonzalo Cuadra: “Talking about the opera’s reception is essential to understand the idiosyncrasy and idea of modernity”

José Manuel Izquierdo: “America was the first big market outside Europe for music”

Aníbal Cetrangolo: “The opera for us is a spy, a signal to study the contact of cultures”

Lucio Bruno-Videla: “It is time for Latin America to export its own creative production”

(Español) Bajo la Lupa: Entrevista Steinunn Birna Ragnarsdöttir de la Ópera de Islandia

Daniel Araujo: “We have 5 aims: Training, opera, concerts, touring and musical theatre”

Interview with Mario Chang and María José Morales Querido Arte, Opera Company Guatemala

Esteban San Juan: “Cities are known by foot, you have to mix with their people and their artists”

Daniel Bianco: “Contemporary creation is an indispensable ally if we prevent the lyric theatres become museums”

Patricia Alaeddine: “Cali is a city that squanders talent, from here many lyrical singers go out to the world”

Interview with María Cecilia Sánchez and Ramón Barranco of Teatro Sánchez Aguilar

(Español) Bajo la Lupa: Entrevista con Naoki Murata, Director Ejecutivo del Nuevo Teatro Nacional de Japón

Interview with the mexican soprano María Katzarava

Interview with Andrea Puente Catán

(Español) Bajo la Lupa: Entrevista al barítono estadounidense Sherrill Milnes

Interview with Vicente Larrañaga, founder of the Novoflot Opera company

Mathieu Guilhaumon: “Dance is a living art that should give space to new views on the world”

(Español) Bajo la Lupa: Entrevista a Eglise Gutierrez

Hands to the opera: Interview with Beth Krynicki

The Regisseur Route: Interview with André Heller-Lopes

(Español) Bajo la Lupa: La Habanera, Bizet o Yradier

Carmen-Helena Téllez: A silent force in music

RED Ópera Independiente: In opera it is also sown

(Español) Bajo la Lupa: Entrevista a Irena Sylya

Tabita Martínez: Winner of Laguna Mágica International Lyric Singing Contest

Premiere of El Gran Macabro de Ligeti at the Teatro Argentino de La Plata

Der Rosenkavalier in Teatro Colón | Crítica diario La Nación

X