Opinion - Ópera Latinoamérica

BREAKING NEWS

(Español) El tenor Rony Ancavil participa de concierto que rescata ópera chilenas
(Español) El Colectivo Ópera Nacional de Chile presenta concierto online que recorre óperas chilenas desde el siglo XIX hasta el XXI
(Español) Auditorio de Tenerife programa por primera vez en España la ópera “The old maid and the thief”

Opinion

(Español) Francisco Sánchez, director de escena: “Todo lo que somos culturalmente aflora en el escenario”

Händel: music, emotions and community | Clemens Birnbaum

Ximena Agurto, soprano: “A person’s voice is the mirror of his/her soul, something that cannot be described with words, only with facts and emotions”

Bajo la lupa: Suat Arikan, General Director of the Istanbul Opera, Turkey: “A great opera can be successfully staged on a low budget and with creative and interesting ideas”

Pedro Sarmiento, composer: “By composing, I seek to give voice and transform realities, break with indifference and prejudices”

Jaquelina Livieri, Argentine soprano: “Art and the mind are the only possibility that the world has today to evolve”

Julianna Santos, stage director: “The great challenge is to understand how we build new relationships and what are the possible dialogues with society and the audience”

Interview with Alejandra Martí, executive director of OLA: “We are in a continent where we have an advantage to do business that Europe does not have”

Latin American digital audiences in pandemic

René Coronado “I think the formula is to work with honesty, humility and definitely with a huge desire to work for others.”

Union as a starting point: interview with the producer Flavia Furtado

Book Day: Recommendations for books that inspired Latin American operas

Women in theatres: roles and challenges of the sector

Flavia Furtado: “Today’s women in Brazil are filling most of the production positions in theatres”

Gema Nataly Contreras: “It is difficult to free yourself from subtle prejudices”

Melissa Giorgio: “May history be filled with new heroines, combatants and feminine creative leaders”

Pierina Lavanca: “The Youth Orchestra presents us with another image, much closer to 50/50 between men and women”

Anna Patricia Lopes: “I believe that women have always been in theatres invisibility”

Latin American repertoire to live Christmas

(Español) Bajo la Lupa: Ernesto Palacio, Director Festival de Rossini (Pésaro, Italia)

10 questions with Flavia Furtado, executive director of the Festival Amazonas de Opera

Eliane Parreiras: “Women in leadership positions have a lot to contribute to management and leadership innovations”

Paulo Zuben: “We promote reflection on musical language and its role within society”

(Español) Bajo la Lupa: Islandia en cuarentena

Hablemos de ópera: Discover Gerardo Kleinburg’s online talks

(Español) Bajo la Lupa: Entrevista a Thomas de Mallet Burgess, Director de New Zealand Opera

Flavia Furtado: “The options after the end of pandemic are working with Brazilian artists, small productions and the new creation”

Opera Garage: From lyrical coliseums to industrial buildings

Alberto Pérez-Amador: “Currently, the greatest operatic creation movement in Latin American history is being lived”

Gonzalo Cuadra: “Talking about the opera’s reception is essential to understand the idiosyncrasy and idea of modernity”

José Manuel Izquierdo: “America was the first big market outside Europe for music”

Aníbal Cetrangolo: “The opera for us is a spy, a signal to study the contact of cultures”

Lucio Bruno-Videla: “It is time for Latin America to export its own creative production”

(Español) Bajo la Lupa: Entrevista Steinunn Birna Ragnarsdöttir de la Ópera de Islandia

Daniel Araujo: “We have 5 aims: Training, opera, concerts, touring and musical theatre”

Interview with Mario Chang and María José Morales Querido Arte, Opera Company Guatemala

Esteban San Juan: “Cities are known by foot, you have to mix with their people and their artists”

Daniel Bianco: “Contemporary creation is an indispensable ally if we prevent the lyric theatres become museums”

Patricia Alaeddine: “Cali is a city that squanders talent, from here many lyrical singers go out to the world”

Interview with María Cecilia Sánchez and Ramón Barranco of Teatro Sánchez Aguilar

(Español) Bajo la Lupa: Entrevista con Naoki Murata, Director Ejecutivo del Nuevo Teatro Nacional de Japón

Interview with the mexican soprano María Katzarava

Interview with Andrea Puente Catán

(Español) Bajo la Lupa: Entrevista al barítono estadounidense Sherrill Milnes

Interview with Vicente Larrañaga, founder of the Novoflot Opera company

Mathieu Guilhaumon: “Dance is a living art that should give space to new views on the world”

(Español) Bajo la Lupa: Entrevista a Eglise Gutierrez

Hands to the opera: Interview with Beth Krynicki

The Regisseur Route: Interview with André Heller-Lopes

(Español) Bajo la Lupa: La Habanera, Bizet o Yradier

Carmen-Helena Téllez: A silent force in music

RED Ópera Independiente: In opera it is also sown

(Español) Bajo la Lupa: Entrevista a Irena Sylya

Tabita Martínez: Winner of Laguna Mágica International Lyric Singing Contest

Premiere of El Gran Macabro de Ligeti at the Teatro Argentino de La Plata

Der Rosenkavalier in Teatro Colón | Crítica diario La Nación