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Alberto Pérez-Amador: “Currently, the greatest operatic creation movement in Latin American history is being lived”

25 October, 2019
Opinion
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  Interview with the Doctor and philologist Alberto Pérez-Amador Adam   About Alberto Pérez-Amador Adam He studied at the National Autonomous University of Mexico (UNAM) and a PhD from the Humboldt Universität zu Berlin, he has been recognized as one of the most important researchers in the work of

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Gonzalo Cuadra: “Talking about the opera’s reception is essential to understand the idiosyncrasy and idea of ​​modernity”

25 October, 2019
Opinion
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Interview with chilean tenor Gonzalo Cuadra   Graduated with maximum distinction from the Faculty of Arts of the University of Chile in the careers of Bachelor of Arts Mention in Music and Higher Interpretation in Music mention singing.  As a soloist he has participated in seasons of the

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José Manuel Izquierdo: “America was the first big market outside Europe for music”

25 October, 2019
Opinion
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Interview with musicologist and academic José Manuel Izquierdo   Musicologist and academic at the Institute of Music of the Pontifical University Catholic of Chile, and Master of Arts mention in musicology from the University of Chile. Among his numerous books stands out A History of Music in

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EntrevistasOpinion

Aníbal Cetrangolo: “The opera for us is a spy, a signal to study the contact of cultures”

25 October, 2019
Opinion
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Interview with the Doctor in Musicology Aníbal Enrique Cetrangolo   About Aníbal Enrique Cetrangolo Doctor in Musicology from the University of Valladolid with thesis Opera and identity in the migration meeting. The Italian melodrama in Argentina between 1880 and 1920.  Since 1974 it has been dedicated to the research

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Lucio Bruno-Videla: “It is time for Latin America to export its own creative production”

25 October, 2019
Opinion
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Interview with the composer, director and researcher Lucio Bruno-Videla   Lucio Bruno-Videla, outstanding violinist and conductor; He has worked in the dissemination of Argentine academic music since 1989. As founder and curator of the Drangosch Group (National University Institute of Art) he has been dedicated to the

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Entrevistas

(Español) Bajo la Lupa: Entrevista Steinunn Birna Ragnarsdöttir de la Ópera de Islandia

10 October, 2019
Opinion
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Sorry, this entry is only available in European Spanish.

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Daniel Araujo: “We have 5 aims: Training, opera, concerts, touring and musical theatre” 

25 September, 2019
Opinion OLA Network
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Interview with Daniel Araujo, Director of Theatro da Paz de Belém, Brazil     In recent years there has been a consolidation of the theatres in the north of Brazil as is the case of the Amazon Theatre, Manaus Festival among others. Theatro da Paz is located in

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Interview with Mario Chang and María José Morales Querido Arte, Opera Company Guatemala

25 September, 2019
Opinion OLA Network
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"Through opera and education we support the transformation of Guatemala" María José Morales y Mario Chang founders of Querido Arte.     Querido Arte: Opera Company of Guatemala was founded in 2016 by tenor Mario Chang and the soprano María José Morales. Both born in Guatemala, sought through this

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Esteban San Juan: “Cities are known by foot, you have to mix with their people and their artists”

25 September, 2019
Opinion
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Interview with Esteban San Juan, Director of the Teatro Macedonio Alcalá in Oaxaca, Mexico   Teatro Macedonio Alcalá was inaugurated on September 5th, 1909 as a Casino Theatre named Luis Mier y Terán. It was in the thirties that the name was changed to Macedonio Alcalá, in

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Daniel Bianco: “Contemporary creation is an indispensable ally if we prevent the lyric theatres become museums”

25 September, 2019
Opinion
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Interview with Daniel Bianco, Director of Teatro de la Zarzuela Daniel Bianco is linked to world of theater since finishing his studies in Fine Arts, specializing in scenography theatre and cinema. He worked as stage and costume assistant in opera and theatre productions. He has been

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