BREAKING NEWS
  • (Español) El Teatro de la Zarzuela presenta su temporada 2022/2023 con estrenos y nuevas producciones propias
  • The 24th Amazonas Opera Festival premieres new productions of «Peter Grimes» and «O Menino Maluquinho»
  • The general director of the Teatro Colón in Buenos Aires, Jorge Telerman, presented the main guidelines of his management
  • Español (es)Español
  • English (en)English
logo
¿Buscas producciones para tu teatro?
Encuéntralas en escena
  • Inicio
  • About Us
    • About us
    • Purpose
    • What we do
    • Directory
    • Administration
    • OLA Alliances
  • OLA Network
    • Members
    • Benefits of becoming a member
    • How to become a member
  • News
    • Artists
    • Calls
    • Escena
    • Shows
    • Learning
    • Opinion
    • OLA Network
  • Calendar
  • Contact
  • Opera Lab
logo
  • Inicio
  • About Us
    • About us
    • Purpose
    • What we do
    • Directory
    • Administration
    • OLA Alliances
  • OLA Network
    • Members
    • Benefits of becoming a member
    • How to become a member
  • News
    • Artists
    • Calls
    • Escena
    • Shows
    • Learning
    • Opinion
    • OLA Network
  • Calendar
  • Contact
  • Opera Lab
MENU
mobile-logo
  • Inicio
  • About Us
    • About us
    • Purpose
    • What we do
    • Directory
    • Administration
    • OLA Alliances
  • OLA Network
    • Members
    • Benefits of becoming a member
    • How to become a member
  • News
    • Artists
    • Calls
    • Escena
    • Shows
    • Learning
    • Opinion
    • OLA Network
  • Calendar
  • Contact
  • Opera Lab

Latin American digital audiences in pandemic

25 May, 2021
Opinion Without category
SHARE

The Opera Latin America theaters association (OLA) together with eight Chilean theaters promoted a study of digital audiences in Latin America during the pandemic that sought to determine habits and project future trends in a hybrid scenario. The inquiry provides guidelines for management and programming

READ MORE

René Coronado “I think the formula is to work with honesty, humility and definitely with a huge desire to work for others.”

20 May, 2021
Opinion
SHARE

We talked with René Coronado, executive director of the Ópera de Colombia, in “about opera y others herbs”, about the company's 45th anniversary, the challenges it proposes this new year, the legacy of Gloria Zea and the current panorama that she lives the art scene

READ MORE

Union as a starting point: interview with the producer Flavia Furtado

10 May, 2021
Opinion
SHARE

By João Luiz Sampaio The cultural producer Flavia Furtado has her name closely associated with the Amazonas Opera Festival, where she has been working for two decades. In recent years, however, she has also acted in favor of reflecting on the world of opera in Brazil.

READ MORE

Book Day: Recommendations for books that inspired Latin American operas

22 April, 2021
Opinion Without category
SHARE

To celebrate World Book Day, we conducted a search for Latin American operas based on works of fiction, novels, literary classics, among other books. We recommend this literary selection from Ecuador, Mexico, Brazil, Chile, Argentina and Peru that showcases the work of Latin American composers

READ MORE

Women in theatres: roles and challenges of the sector

25 March, 2021
Opinion Without category
SHARE

During Women's Month we highlight the work of women in theatres. A production coordinator, two executive directors, a National Ballet interpreter and a coordinator of audience department, told us about their experiences in the performing arts. They also  their told us point of view regarding the

READ MORE

Flavia Furtado: “Today’s women in Brazil are filling most of the production positions in theatres”

25 March, 2021
Opinion
SHARE

Flavia Furtado, serves as executive director of the Amazonas Opera Festival. She has different facets that make her a well-rounded woman, since she is a pianist, cultural manager and commercial engineer. In addition, she is the founder and one of the directors of the Brazilian

READ MORE

Gema Nataly Contreras: “It is difficult to free yourself from subtle prejudices”

25 March, 2021
Opinion
SHARE

During the month of women, OLA conducted interviews with different managers, professionals and artists to find out their point of view regarding the role of women in the cultural sector.   Gema Nataly Contreras, interpreter of the Chilean National Ballet (BANCH), was one of them. The Bachelor

READ MORE

Melissa Giorgio: “May history be filled with new heroines, combatants and feminine creative leaders”

25 March, 2021
Opinion
SHARE

Melissa Giorgio Alcalde, coordinator of the audience area of ​​the Gran Teatro Nacional, Lima-Peru, is a social communicator, cultural manager and actress.   Melissa herself has been linked to the cultural sector since 2003, the year in which she worked as a theatre producer and consultant on

READ MORE

Pierina Lavanca: “The Youth Orchestra presents us with another image, much closer to 50/50 between men and women”

24 March, 2021
Opinion
SHARE

Pierina Lavanca, is executive director of the Sodre National Symphony Orchestra and the Sodre National Chamber Music Ensemble, was one of the women OLA interviewed to make visible the role of women in theaters and find out their point of view regarding to the female

READ MORE

Anna Patricia Lopes: “I believe that women have always been in theatres invisibility”

24 March, 2021
Opinion
SHARE

During the month of women, OLA interviewed Anna Patricia Lopes, production coordinator at Theatro São Pedro, Brazil in order to make visible the work of women in the theaters that are members of the Network. Anna has a degree in social communication with a specialty

READ MORE

Posts navigation

Previous 1 2 3 … 6 Next
  • 1
  • 2
  • 3
  • 4
  • 5
  • 6
Material de prensa

Material libre de uso para prensa, mientras sea para hablar de Ópera Latinoamérica.

 Imagen corporativa

 Fotografías

Dirección
San Pío X 2460, oficina 409, Providencia, Santiago, Chile.
info@operala.org
Follow Us
¿Quieres recibir noticias y contenidos sobre ópera?
Suscríbete al Newsletter de OLA